Andrew Yang is a neoliberal hack, and I promise you UBI is about as radical as we could hope for that’s still attainable in the currently policy landscape. Anything more radical and we’re talking actual get-out-your-guillotine-revolution. Fair enough, though, I would suggest that the way you talk about addressing AI as it relates to artists dances around copyrightland more than directly and broadly focusing on labor — which imo is the best way to tackle AI externalities. What we should be doing is building bridges between artists and the rest of labor, finding ways out of the cyberpunk dystopia not by relying on intellectual property but by building stronger social programs that lift us all up.